剧情简介
康沃尔渔村的风景明信片田(tián )园诗(shī )误导了人(🌰)们(men )。虽(😘)然过去钓(diào )鱼是一种养家糊口的方式，但(🌰)如今(🔬)富有(yǒu )的伦(lún )敦(dūn )(💤)游客纷纷下山，取代(❣)了当地(♑)人，当地人的生计因(👑)此受(shòu )到(🗄)威胁(xié )。史蒂(dì )文和马丁兄弟的关系(xì )也很(hěn )紧张。马(mǎ )丁是一(😚)个没有船(chuán )的(de )渔(yú )夫(🚑)，因为史蒂文开(🤷)始(🔊)用它来为一(📎)整(zhěng )天的(🔩)游客提供更赚钱(qián )的(de )旅游。他们卖掉(diào )(🌊)了这座(zuò )家庭别墅，现(✋)在(🐑)看来(lái )，最(zuì )后一(yī )场战斗(🙀)是和新主人(rén )在(🈴)海边的停车位上(🔔)展开(🤲)。然而(ér )，情况很快(kuài )就失(shī )(🥕)控了，而不(🧣)仅仅是(🕯)因为车(chē )轮夹钳(❕)。 Bait是(shì )一种(🚗)黑白，手工(➡)制作，16毫(háo )米胶(jiāo )片制作的电影。许多(💯)关于鱼、网(💿)、龙虾、长靴(xuē )、绳结和渔篮(lán )的特(tè )(📸)写镜(jìng )头(tóu )让人(rén )想起了蒙(🏃)太(🔞)奇景(🚲)点的理(🌂)论(🔙)。对(👄)不(bú )同(🆙)社(shè )会(🔫)阶层的描述——可(kě )以说是阶级关(guān )系——也(🚻)让(🍺)人想起(qǐ )了(🛃)英国(👩)电影中的社(shè )会现实主义传统。然而，最重要(yào )的是，在影像中不同(🌲)层次的电影历(🖱)史(shǐ )参考文献之下，当(🈸)前许(🛃)多(🛌)政(zhèng )治(zhì )关(guān )联正在等待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. (🧒) Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
猜你喜欢
剧情片周榜单
