剧情简介
康沃尔(ěr )渔村的风景(⛲)明(míng )信片(piàn )田(tián )园诗误导了人(rén )们。虽然(rán )过去钓鱼是一种养(yǎng )(🎺)家糊口(🎹)的方式，但如今富(fù )有的(de )伦敦游客(kè )纷纷下山，取(qǔ )(🎏)代(❣)了当(dāng )地(dì )人(rén )(📼)，当地人的生计因(yīn )此受到(dào )威(🛍)胁。史(shǐ )蒂文(🙍)和马丁兄弟(dì )的(🚉)关系也很紧张。马丁(🥞)是一(😚)个没有船的渔(🖍)夫，因为史蒂(😱)文(wén )开(kāi )(🤷)始用它(tā )来为一整(🧚)天的(🔩)游客提供更赚钱的(de )旅游。他们(men )卖掉了这座家庭别墅，现在看(🏂)来，最(🤸)后一(🙄)场战斗(🙀)是(shì )(🙉)和新主(zhǔ )人在海(hǎi )边的停车位上展开(🤲)。然而(😍)，情况(⛳)很(🏯)快(kuài )就失控了，而不仅仅是因(🌮)为车(chē )(🗳)轮(🤘)夹钳(❕)。 Bait是(🛎)一(💍)种黑(🐾)白，手(shǒu )工制作，16毫米胶片制作的(🌼)电(diàn )影。许多关于(yú )鱼(yú )、网、龙(lóng )(🐡)虾(xiā )、(🤔)长靴(🔍)、绳(🤥)结和渔篮的特写镜(🔷)头(tóu )让人想起了蒙太奇景点的理论(🔙)。对不(bú )同(tóng )社会阶层的描述——可(kě )以(yǐ )说是阶级关系(xì )——也(🚻)让人想(🐂)起了英国电影中的社(shè )会(huì )现(🕺)实主义传(chuán )(🚤)统。然而，最重要的是，在影像中不(🔍)同(tóng )(🌲)层(💕)次的电影历史参考(😲)文献之下(xià )，当前许多政治关(🎞)联正在等待被(bèi )发现。 (🏆) The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
猜你喜欢
剧情片周榜单
