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一直作為米(mǐ )路(🔨)斯．科(✒)曼劇(🥇)本鐵三角（(🍩)另一位(🃏)是帕培錫，也(🔱)是本片(piàn )編(🍥)劇之一）成員的艾雲．巴(🔬)薩，當(🐮)然也走低度戲劇路線(xiàn )。同是音(yīn )樂家的(😎)彼德與卡洛老(🔸)友(👑)重逢，生活狀況大不同，你有(🥄)伴侶(🚉)我有家(jiā )(🐖)庭，然(rán )(📞)而都(dōu )有說不出的不明(míng )(😻)朗，唯有(🐶)以(🥀)酒與音(yīn )樂代替(tì )口(kǒu )水。全片推展不(bú )問目的，只(zhī )在剎那(nà )間的(de )意(yì )圖(tú )，行(🎛)行企(qǐ )企比起科(kē )曼更(📙)義無反顧，卻有(yǒu )生(shēng )活淡如流水的(💪)詩(shī )意(🎾)和繆思，叫(🥫)觀眾聯想到二(🤲)十(🕙)年後的伊(👺)力．盧馬(🎋)。巴薩鍾愛音(yīn )樂的程(chéng )度(🌮)不下於(yú )文字(❕)和電影，古典音樂(lè )與民(🚗)間音(yīn )(🦇)樂於全(quán )(➡)片(🏻)迴(huí )轉迴(huí )盪(dàng )，難怪成了奇斯洛夫斯基(jī )十大心(xīn )愛電影之一。 康城(chéng )影展(zhǎn )青年評審團獎(👵)，美國全國影(🏃)評人協會特(🔎)別(bié )(🌂)獎 這(🖍)部(bù )1966年的珍品(🚽)，是捷克新浪潮短暫生命中(🔪)最佳作(zuò )品之一。成(🤼)名音(yīn )樂家(🕺)到小(🎴)鎮(zhèn )探訪舊(jiù )同學(🏸)，舊同學是個窮音樂(🐈)教師，有時在喪(🚪)禮(🐌)上吹奏樂曲。平(píng )凡的(✒)素材在巴素(🛌)手裡，變(biàn )出風趣復罕見的(de )旋律，一部憂鬱(yù )的喜劇，或灰色喜(xǐ )劇。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel –(🕝) reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (🍓) Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (🆒) - Elliott Stein, Village Voice (🌓) Source HKIFF Czech New Wave 2006
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