前(🈯)身(shēn )(🕕)是皇(huáng )(🌠)軍軍港(🆓)的吳(wú )港,戰(zhàn )後成(chéng )為船塢工(🌰)人的生活煉獄。在資本家剝削和枯(kū )燥生(shēng )活的(de )雙重煎熬下,躁動(dòng )的(😧)年(🎾)輕生(shēng )命,一頭栽進暴力漩渦(wō ),延擱成長,終日(rì )在(🤷)打鬥、賭(🕖)博(bó )(🕯)、(👁)酗酒中(✳)尋找暫時的麻醉。吉田喜重通(🥞)過工(😚)頭(tóu )之眼,對不(bú )合理的社會現實作(🤷)出(chū )欲迎還拒(jù )(🌙)的批判,被視為日(🚨)本新(xīn )浪潮代表作(💱)之(🦗)一。香山美子飾演純真的酒館(🐑)女(🏂)待,同情工人卻(👓)慘(🙀)被強姦,正(⏰)與負的能量(liàng ),在大時(shí )代(dài )中比拼互滲,可有(🤳)超越對與錯,是與(🤖)非(fēi )(⚾)的位置(zhì )(👣)?片末火車站送別一場,在(zài )(🛎)家和社會(🦇)之間,吉田(tián )喜重作出了左翼的(🌪)選擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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